Chas Smith, a maverick composer in the spirit of Harry Partch, creates much of his music from instruments of his own design and own tuning. Smith is also a much-in-demand pedal steel guitar player. On this CD, the first two pieces, the beautiful Nikko Wolverine and the texturally dense Tons Tons Macoutes, explore the often electronic/music-concrete-sounding world of his bowed and struck metal instruments. The last two pieces, the leisurely paced, inviting Genus, Sho-Bud and the hymn-like Near the Divide, feature the composer on pedal steel guitar.
Nikko Wolverine is a three-movement piece scored for various bowed and struck metal instruments in non-tempered tunings. These instruments, which were designed and built by the composer, emit tones that are rich in complex harmonics and often sound more electronic than acoustic. All three movements of this work share motivic materials, but each successive movement adds more harmonic complexity and textural density to the movement that preceded it.
Tons Tons Macoutes is a texturally dense work for Smith’s metal instruments. It is almost glacial in both its presence and its pace, and it might call to mind certain musique concrete works.
Genus, Sho-Bud and the hymn-like Near the Divide feature the composer on pedal-steel guitar. The first of these works utilizes a highly processed sound and unfolds through series of harmonic suspensions. The second utilizes a more traditional pedal-steel sound—both in timbre and in style. Both works progress at a very leisurely pace.
REVIEWS:
“This disc offers musical experiences utterly out of the ordinary…. Smith’s pieces are music of experiment and discovery: a way of enabling the physical world to ‘speak’ by investigating, harnessing and organizing its sonic properties. The extraordinary sound-world of Smith’s articulately structured music captivates from the start.” —International Record Review
“Chas Smith…musician, composer, engineer, metal craftsman and inventor is a classic American original.” —New Times (Los Angeles)
“With Smith’s music, the sounds are as compelling as his concepts and instruments.” —The Wire magazine
“Like famed composer and instrument builder Harry Partch, whom Smith readily acknowledges as an influence, Smith creates unsettling music that is both beautiful and eerie.” —Electronic Musician magazine
“Really nice sounds here, and the resulting musical constructions are quite beautiful.”—Fanfare magazine
“[M]editative alien soundscapes where time comes to a halt…a beautiful aural experience…. Definitely recommended.” —All-Music Guide
“Dark atmospheres, crepuscular metallic textures and disquieting whispers compose a landscape of eerie colors. Much of the music is icy, ghostly, static.” —Amazing Sounds
“The buzzing cloud of overtones becomes thicker as the work slowly progresses, and the harmonies take on an aching quality, and it is difficult to know whether one is calmed or disturbed by this music.” —ClassicalNet
“A vastly intriguing work, which must really be something to witness as a live performance.” —Incursion Music Review (Canada)
“Smith has a penchant for long tones and drones, as well as an ear and love for magnificent sonorities. From his creations, as well as his pedal steel guitar, he elicits sounds that suggest thunder, approaching jetliners, electronics, screeching machinery, and much, much more. And he doesn’t merely string together gimmicky sounds; he integrates them into sumptuous compositions that range from delicate, lyrical vignettes to grating, sometimes horrific tone poems. —Dean Suzuki, San Francisco Bay Guardian
“Chas Smith is a performer and composer who plays pedal steel guitar and designs and builds his own sculptural metal musical instruments that combine the influence of two prominent 20th-century Harrys—Partch and Bertoia…. Layers of bright, shimmering tones supported by low-pitched clouds wrought by the Adkins, Bass Tweed, Copper Box, DADO, Lockheed, Mantis, Pez Eater, SS Disc, Tio and thundersheets drift through your head with the greatest of ease…. Although the last track is played in a more traditional country slide guitar vein, the overall feeling this CD exudes is as relaxing as a gigantic marshmallow puff gently hovering in a lavender evening sky.”—Arcane Candy
“Infinitely deep and mysterious sounds. Absolutely unmissable.” —Deep Listenings (Italy)
“The music that comes out of this strange and compelling metallic menagerie is both atmospheric and abrasive, searching for a middle ground between the two. All of the instruments have a visual aside as well…. He has reached the great divide, cutting geographically America through a ridge of harmonic suspensions. I would warmly recommend this CD to anybody who is interested in innovative and daring approaches to contemporary music.” —I Heard a Noise webzine (Romania)
All instruments designed and fabricated by Chas Smith
All selections composed, performed, engineered, and produced by Chas Smith, TDS Studio, Encino, CA
Mastered by Joe Gastwirt, Ocean View Digital Mastering
Photography: Debra DiPaolo
Design: Scott Ford and Jeff Monzel
Special thanks to Laura Steele, Joaquin Murphey, and Randall Sanderson for their help, support, and expertise.
Chas Smith is a composer-performer-instrument builder who has created a unique musical world—complete with its own
instruments. It’s a world of expansive ever-evolving musical tapestries and sculpted textures that display his fascination with both the scientific and the sensual. “With Smith’s music, the sounds are as compelling as his concepts and instruments.” (The Wire)...more
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